Gaspare Diziani(1689 - 17 August 1767) was an Italian painter of the late-Baroque or Roccoco period, active mainly in the Veneto but also in Dresden and Munich. His earliest training was in his native town of Belluno with Antonio Lazzarini, then moved to Venice, to the studio of Gregorio Lazzarini and later that of Sebastiano Ricci. He was seven years older, but otherwise his career was contemporary with the Lazzarini and Ricci fellow-pupil, Giovanni Battista Tiepolo. Between 1710-1720, he painted a group of eight pictures that included the Mary Magdalene for the church of San Stefano in Belluno, and Entry into Jerusalem for San Teodoro in Venice. He also painted three frescoes on the Life of Saint Helena in the Scuola del Vin next to the church of San Silvestro. Dizianies celerity and technical assurance are evident preparatory oil sketches, with color applied in rapid and spirited strokes. He was also working as a scenery painter for the theater and opera in Venice, Munich (1717), and later in Dresden, working with Alessandro Mauro. Diziani was invited to Rome by Cardinal Ottoboni in 1726, to paint a emagnificent decoration for the church of San Lorenzo in Damaso. The decoration is now known only through an engraving by Claude Vasconi. The Sala dei Pastelli in Ca' Rezzonico has an sotto in su allegorical ceiling fresco presenting Triumph of Poetry (Poetry surrounded by Painting, Architecture, Music and Sculpture). | |||
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The Family of Darius before Alexander the Great Pintura Identificación:: 98430 Vea nuestra galería en Suecia |
The Family of Darius before Alexander the Great first half of 18th century Medium oil on canvas Dimensions Height: 135 cm (53.1 in). Width: 109 cm (42.9 in). first_half_of_18th_century_ Medium_oil_on_canvas_ Dimensions_Height:_135_cm_(53.1_in)._Width:_109_cm_(42.9_in). |
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Christ in the Garden of Gethsemane Pintura Identificación:: 98432 Vea nuestra galería en Suecia |
Christ in the Garden of Gethsemane between 1745(1745) and 1750(1750) Medium oil on canvas Dimensions Height: 100 cm (39.4 in). Width: 82 cm (32.3 in). between_1745(1745)_and_1750(1750)_ Medium_oil_on_canvas_ Dimensions_Height:_100_cm_(39.4_in)._Width:_82_cm_(32.3_in). |
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The Adoration of the Magi Pintura Identificación:: 98433 Vea nuestra galería en Suecia |
The Adoration of the Magi 1718(1718) Medium oil on canvas Dimensions Height: 94 cm (37 in). Width: 110 cm (43.3 in). 1718(1718)_ Medium_oil_on_canvas_ Dimensions_Height:_94_cm_(37_in)._Width:_110_cm_(43.3_in). |
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The Adoration of the Shepherds Pintura Identificación:: 98434 Vea nuestra galería en Suecia |
The Adoration of the Shepherds circa 1755(1755) Medium oil on canvas Dimensions Height: 117 cm (46.1 in). Width: 131 cm (51.6 in). circa_1755(1755)_ Medium_oil_on_canvas_ Dimensions_Height:_117_cm_(46.1_in)._Width:_131_cm_(51.6_in). |
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The Adoration of the Magi Pintura Identificación:: 98435 Vea nuestra galería en Suecia |
The Adoration of the Magi 1705 - 1760 Medium oil on canvas Dimensions 30.5 x 40 cm (12 x 15.7 in) 1705_-_1760_ Medium_oil_on_canvas_ Dimensions_30.5_x_40_cm_(12_x_15.7_in) |
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| Artista Previo Próximo Artista | ||||||||||
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| Gaspare Diziani | ||||||||||
| (1689 - 17 August 1767) was an Italian painter of the late-Baroque or Roccoco period, active mainly in the Veneto but also in Dresden and Munich. His earliest training was in his native town of Belluno with Antonio Lazzarini, then moved to Venice, to the studio of Gregorio Lazzarini and later that of Sebastiano Ricci. He was seven years older, but otherwise his career was contemporary with the Lazzarini and Ricci fellow-pupil, Giovanni Battista Tiepolo. Between 1710-1720, he painted a group of eight pictures that included the Mary Magdalene for the church of San Stefano in Belluno, and Entry into Jerusalem for San Teodoro in Venice. He also painted three frescoes on the Life of Saint Helena in the Scuola del Vin next to the church of San Silvestro. Dizianies celerity and technical assurance are evident preparatory oil sketches, with color applied in rapid and spirited strokes. He was also working as a scenery painter for the theater and opera in Venice, Munich (1717), and later in Dresden, working with Alessandro Mauro. Diziani was invited to Rome by Cardinal Ottoboni in 1726, to paint a emagnificent decoration for the church of San Lorenzo in Damaso. The decoration is now known only through an engraving by Claude Vasconi. The Sala dei Pastelli in Ca' Rezzonico has an sotto in su allegorical ceiling fresco presenting Triumph of Poetry (Poetry surrounded by Painting, Architecture, Music and Sculpture). | ||||||||||
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